Robertson, Bruce, Twentieth-Century American Art: The Ebsworth Collection, exh. (Saint-Tropez: Musée de Saint-Tropez, 1999), p. 181, as Hommage à Picasso. Credit Line Gift of the Estate of Grant J. Rosenblum, Robert, Cubism and Twentieth-Century Art (New York: Harry N. Abrams, 1960), pp. 56 (no. (New York: Buchholz Gallery, 1949), n.p. Drawn in 1911 He traveled to Bandol on the southeastern coast of France to recuperate. The outbreak of World War I in 1914 disrupted the life and work of Juan Gris. 2), as Bildnis Picassos. Ein exzellentes Kunstwerk wurde vom Pinselmeister Juan Gris geschrieben! 48, 56 (cat. Vicente, Esteban, “Gris: reality cubed,” Art News 57, 3 (May 1958), p. 33 (fig. Minneapolis Institute of Arts, Bulletin of the Minneapolis Institute of Art 25, 33 (December 5, 1936), cover (ill.), as Portrait of Picasso, 1912. José Victoriano González-Pérez, better known as Juan Gris, was a Spanish painter born in Madrid who lived and worked in France most of his life. Bill Lamb is a music and arts writer with two decades of experience covering the world of entertainment and culture. Buffalo Fine Arts Academy, The Art of Today, exh. Musée de Saint-Tropez, Les chemins du cubisme, exh. Man unterscheidet vor allem zwei Stile: den analytischen und den synthetischen Kubismus. Galería Theo, Juan Gris, exh. (fig. (Milan: Mazzotta, 1991), p. 58 (ill.), as Hommage à Pablo Picasso, 1911-1912. B. in Ein Fenster (1912/13). (39 x 28.2 cm.) Musée national d’Art moderne, Le cubisme (1907–1914), exh. Basel, Kunsthalle, Juan Gris, Georges Braque, Pablo Picasso, February 26–March 24, 1948, cat. 18, 20, 28, and 117 (ill.); traveled to the Minneapolis Institute of Arts, June 24–July 24, 1958; San Francisco Museum of Art, August 11–September 14, 1958; and Los Angeles County Museum, September 29–October 26, 1958. Derouet, Christian, Juan Gris: Cartas, Dibujos 1915–1921, exh. Juan Gris: Dichter des synthetischen Kubismus . Dresden, Internationale Kunstausstellung, June–September 1926, cat. 33, ill.), 211 (cat. Gris’s style draws upon Analytic Cubism—with its deconstruction and simultaneous viewpoint of objects—but is distinguished by a more systematic geometry and crystalline structure. Die Gitarre auf dem Tisch ist Juan Gris. Orangerie des Tuileries, Juan Gris, exh. Musée Municipal de Boulogne-Billancourt, Juan Gris: et les dimanches de Boulogne, exh. Retrieved from https://www.thoughtco.com/juan-gris-4707826. 49), 32 (ill.), 78, 81, 240, as Retrato de Picasso, 1912. 70 drei x zweiundneunzig cm. 43, ill.), as Portrait de Picasso, 1912. cat. Amsterdam, Gemeentemuseum, Tentoonstelling van Fransche Kunst: Ecole de Paris, April 1932, cat. “Juan Gris,” Cahiers d’Art 5–6 (1933), n.p. José Victoriano (Carmelo Carlos) González-Pérez (March 23, 1887 – May 11, 1927), better known as Juan Gris, was a Spanish painter and sculptor who lived … Wood, James N., Treasures of 19th-and 20th-Century Painting: The Art Institute of Chicago (New York: Abbeville Press, 1993), p. 208 (ill.), as Portrait of Pablo Picasso, 1912. cat. (Madrid: Galería Theo, 1977), n.p. 67, ill.), 320, as Portrait of Picasso, 1912. cat. 1, ill.), 157, as Retrato de Picasso, 1912. 53, ill.), 122. His use of brand logos and newspaper type anticipated the development of Pop Art a generation later. In 1904, he began to study with the artist Jose Moreno Carbonero, a past instructor of Salvador Dali and Pablo Picasso. Cunningham, Charles C. and John Maxon, Anselmo Carini, Instituto de arte de Chicago, El mundo de los museos (Buenos Aires: Éditorial Codex, S.A., 1967), pp. (pl. Gris considered Picasso an important mentor, but Gertrude Stein wrote that "Juan Gris was the only person whom Picasso wished away.". Drawn in 1916 Provenance Galerie Jeanne Bucher, Paris. cat. Juan Gris, Spanish Cubist Painter. Museum Bochum, Hommage à Picasso, Kubismus und Musik, exh. Fosca, François, Bilan du cubisme (Paris: Bibliothèque des arts, 1956), p. 40, as Portrait de Picasso, 1912. cat.. New York, Museum of Modern Art, Juan Gris, April 9–June 1, 1958, pp. University Art Museum, University of California, Berkeley, Juan Gris, February 7–April 8, 1983, pp. London, Alex Reid and Lefevre, L’Ecole de Paris, November 1938, cat. cat. Paris, Musée d’Art Moderne de la Ville de Paris, L’Ecole de Paris, 1904–1929: la part de l’Autre, November 30, 2000–March 11, 2001, pp. More major international exhibitions followed from 1923 through 1925. Juan Gris (1887-1927) Bock de bière charcoal on paper 18 7/8 x 12 3/8 in. (Valencia: IVAM Centre Julio González, 1990), p. 19, as Hommage à Picasso. (cat. Apollinaire, Guillaume, The Cubist Painters, translated, with commentary, by Peter Read (Berkeley: University of California Press, 2004), p. 169, as Homage to Picasso. 378), as Bildnis Pablo Picasso. 1 1881–1937 (Paris: Denoël, 1975), p. 255, as Hommage à Picasso. Tinterow, Gary, Juan Gris [1887-1927], exh. Juan Gris, Sohn eines wohlhabenden Kaufmanns, wurde am 23. Mit oder ohne Gemälderahmen. cat. Demonstrate how to show multiple views of one object, fractured planes, collage techniques, and wood grained textures. New York, Saidenberg Gallery, Hommage à Kahnweiler, May 13–June 8, 1957, no. He also blurs the distinction between the background and the central object in the picture. V.90, ill.), 83, as Hommage à Pablo Picasso, 1912. cat. Zervos, Christian, Histoire de l’Art Contemporain (Paris: Cahiers d’Art, 1938), p. 236 (ill.), as Hommage à Picasso, 1912. 29, 42, 48, and 211, cat. Der Querschnitt 8, 7 (July 1928), p. 506 (ill.). Show and discuss segments of a video if available. Reed, Judith Kaye, “Cubism Reviewed,” Art Digest 23, 14 (April 15, 1949), p. 16 (ill.), as Homage to Picasso. Zienderogen kunst voor de basisvorming (Malmberg den Bosch: Onderbouwdeel VBO/MAVO, 1993), p. 62 (fig. 85 (ill.), as Homage to Pablo Picasso. 3, ill.). 198, 199 (ill.), 341, as Hommage à Pablo Picasso, 1912. Lamb, Bill. He would stay there for most of the rest of his life after having avoided Spanish military service. General admission tickets are sold out. 8, ill.), 76 (ill.), as Portrait de Picasso/Hommage à Pablo Picasso, 1912. The first major solo exhibition of the work of Juan Gris took place in Paris in 1919. (Buffalo: Albright-Knox Art Gallery, 1967), pp. It outlined his major aesthetic theories. 11, ill.), 48, as Portrait of Pablo Picasso. 43, ill.), as Portrait of Picasso, 1911-12. cat. ThoughtCo. 7, ill.), as Hommage à Pablo Picasso, 1911. Sold, Hôtel Drouot, Paris, June 13–14, 1921, Kahnweiler sequestration sale, lot 49, to “Grassat” for Galerie Simon [letter from Kahnweiler of October 21, 1975 and December 2, 1975 in curatorial file]. His early cubist works are in the style of analytical cubism pioneered by Picasso and Braque. In dieser Phase verwendeten die Kubisten nun auch Objekte, die nicht zusammengehörten, ließen diese jedoch ineinander fließen. Rosenberg, Charles M., “Cubist Object Treatment: A Perceptual Analysis,” Artforum 9, 8 (April 1971), pp. Cooper, Douglas, Juan Gris : catalogue raisonné de l’œuvre peint (Paris: Berggruen, 1977), pp. Penrose, Roland, Portrait of Picasso (London: Lund Humphries, 1956), p. 39 (fig. He was an outstanding student, but his heart was not in academia. 8, ill.), 29, as Omaggio a Pablo Picasso, 1912. However, within two years, he focused on synthetic cubism, which used collage techniques extensively. Just six years later, Gris too was known as a Cubist and identified by at least one critic as "Picasso’s disciple." Morin, Isabelle, Analyse raisonnee des catalogues d’exposition des peintres cubistes (1907–1914) (Paris: Institut d’Art et d’Archéologie, 1972), p. 23, as Figure. 24, 25 (cat. Galerie Simon, Exposition Rétrospective Juan Gris (1887-1927), exh. (Washington D.C.: National Gallery of Art, 2000), p. 87 (fig. 86 (fig. 13, 24, 25, 27, and 45, cat. 21, 96, 97, 99, n.p. (ill.). After adopting the name Juan Gris in 1905, the artist moved to Paris, France. Cabanne, Pierre, Cubism (Paris: Pierre Terrail, 2001), pp. 14, 15 (fig. Malen Kubistische Zeichnung … 4, ill.), 84 (ill.), as Retrato de Pablo Picasso, 1912. (Zurich: Kunsthaus, 1933), p. 5 (cat. Internationale Kunstausstellung, Internationale kunst ausstellung Dresden, exh. 14 (ill.), 16–20, 129, as Hommage à Pablo Picasso, 1912. 14, 15 (fig. Wood, James N. and Teri J. Edelstein, Sally Ruth May, The Art Institute of Chicago: The Essential Guide (Chicago: Art Institute, 1993), p. 249 (ill.), as Portrait of Pablo Picasso, 1912. Cooper, Philip, Cubism (London: Phaidon, 1995), pp. R. Allard, La Revue de France (March 1912), p. 72. cat. cat. (New York: Museum of Modern Art, 1942), p. 50 (ill.), as Pablo Picasso, 1912. Metropolitan Museum of Art / Wikimedia Commons / Creative Commons 1.0. cat. (#746606) 97, ill.). Gris fügte die neuen Gestaltungsprinzipien des Kubismus in ein rationales System ein und war zeit seines Schaffens bemüht, sein künstlerisches Vorgehen auch theoretisch zu vermitteln. Saiko, George “The Tragic Position of Abstract Art,” London Studio 5 (January 1933), pp. 10, 11 (ill.), as Portrait of Picasso. 26 (cat. 7- Synthetischer Kubismus (1912 - 1914) Silver, Kenneth, “Eminence Gris,” Art in America (May 1984), p. 154 (ill.), as Portrait of Picasso, 1912. 47, as “Collection Etienne Bignou Gallery.”. Leymarie, Jean, Picasso: Métamorphoses et unité (Geneva: Skira, 1971), p. 226 (ill.), as Portrait de Picasso, 1912. Cooper, Douglas, “Gertrude Stein and Juan Gris,” Apollo 93, 107 (January 1971), p. 29, as Portait of Picasso, 1912. https://www.thoughtco.com/juan-gris-4707826 (accessed February 14, 2021). Juan Gris' simplification of the geometrical structure of his paintings in late 1916 is a distilled version of cubism. (Paris: Orangerie des Tuileries, 1974), pp. 178 (ill.), 472 (note 41), as Hommage à Picasso/Portrait of Picasso, 1912. cat. “Modern Museum Opens Show Despite Ignorance of U. S. Martinets,” Art Digest 10, 12 (March 15, 1936), p. 10 (ill.), as Portait of Picasso (Hommage à Picasso), 1912. Kahnweiler, Daniel-Henry, Der Weg zum Kubismus (Stuttgart: Gerd Hatje, 1958), p. 94 (ill.), as Picasso, 1912. Auf Leinwand gespannt oder Foto. Paris, Orangerie des Tuileries, Juan Gris, March 14–July 1, 1974, pp. Los Genios de la Pintura Española: Juan Gris (Spain: Onix de Communicaciones, 1991), n.p. Critique art prints and set up an interesting still life. 14 (no. Many observers see the technique as the logical extension of developments in cubism. He also blurs the distinction between the background and the central object in the picture. (cat. While Pablo Picasso and Georges Braque are given credit for first developing the cubist style, Juan Gris is one of the most distinctive artists who devoted his career to the development of the movement's theories. 13), 27 (ill.), as Hommage à Picasso (Portrait of Pablo Picasso), January-February 1912. cat. Der synthetische Kubismus hielt bis in die Zeit nach dem Ersten Weltkrieg an. 04.03.2017 - Erkunde Tian Lees Pinnwand „Juan Gris“ auf Pinterest. (fig. cat. (cat. Das Bild entstand im Genre des „synthetischen“ Kubismus mit Öl auf Leinwand. (fig. Apollinaire, Guillaume, “Les Salon des Indépendants,” L’Intransigeant (March 25, 1912), as Hommage à Picasso. “Picasso: The First Fifty Years,” Vogue 129, 10 (June 1957), p. 97 (ill.). 4, and 122–123, cat. Juan Gris, der berühmte spanische Kubist. Juan Gris' simplification of the geometrical structure of his paintings in late 1916 is a distilled version of cubism. Paris, Galerie Simon, Exposition Retrospective Juan Gris, June 4–16, 1928, cat. 33 (ill.), as from “M. (Baden-Baden: Kunsthalle, 1974), pp. Adrichem, Jan van, De ontvangst van de moderne kunst in Nederland 1910-2000: Picasso als pars pro toto (Amsterdam: Prometheus, 2001), p. 188 (ill.), as Portret van Picasso, 1912. Juan Gris: Liste der werke - Alle Kunstwerke nach Datum 1→10. Juan Gris Title Still Life Origin Spain Date Made 1919 Medium Watercolor, heightened with lead white, over graphite on ivory wove paper Inscriptions Signed recto, lower left, in graphite: "Juan Gris/1919" Dimensions 272 × 218 mm (max.) 31(no. 114, 115 (ill.), as Portrait of Picasso, 1912. Zurich, Kunsthaus Zurich, Juan Gris, April 2–26, 1933, p. 5, cat. The artist further ordered the composition of this portrait by limiting his palette to cool blue, brown, and gray tones that, in juxtaposition, appear luminous and produce a gentle undulating rhythm across the surface of the painting.Gris depicted Picasso as a painter, palette in hand. Author: GRIS, Juan and Georg Schmidt Title: Juan Gris und die Geschichte des Kubismus Publication: Baden-Baden: Woldemar Klein, 1957 Description: First edition.Softcover. This style has been called "crystal cubism." Das in einzelne geometrische Figuren zerlegte Objekt wurde nun zusammengefügt. (Paris: Gazette des Beaux-Arts, 1935), n.p. 33), xx (ill.), as Portait Picasso/Hommage à Pablo Picasso/Portrait de Picasso, 1912. At the same time, the inscription helped Gris solidify his own place within the Paris art world when he exhibited the portrait at the Salon des Indépendants in the spring of 1912. Nishimura, Toshio (ed. 24–25, 152, and 177, cat. (fig. 41), as Hommage à Picasso, 1912. (New York: Sidney Janis Gallery, 1958), n.p. Juan Gris und die Geschichte des Kubismus. 32, ill.) as Portrait of Picasso, 1911-12. 15, ill.), as Portrait de Picasso, 1912. (Paris: Galerie Simon, 1928), n.p. Er verwischt auch die Unterscheidung zwischen dem Hintergrund und dem zentralen Objekt im Bild. (New York: Museum of Modern Art, 1989), p. 389, as Portrait of Picasso. Lamb, Bill. cat. (cat. (cat. In Paris, he encountered some of the leading artists of the emerging avant-garde scene including Henri Matisse, Georges Braque, and Pablo Picasso, as well as American writer Gertrude Stein, who would become a collector of Gris' work. 87, ill.), as Portrait of Picasso, 1912. (ill.), as Portrait de Picasso, 1912. 35 (fig. cat. 15.4, ill.), as Portret van Picasso, 1912. (New York: Abbeville Press, 1983), pp. (Basel: Kunsthalle, 1948), p. 13 (cat. Biography of Georges Braque, Pioneer Cubist Painter, Biography of Eva Gouel, Muse and Mistress of Pablo Picasso, Biography of Charles Sheeler, Precisionist Painter and Photographer, Picasso's Women: Wives, Lovers, and Muses, Life and Work of Joan Miró, Spanish Surrealist Painter, Biography of Marsden Hartley, Modernist American Painter and Writer, Life and Work of Piet Mondrian, Dutch Abstract Painter, Top 12 Greatest Visual Artists of All Time, Biography of Hans Hofmann, Abstract Expressionism Pioneer, Biography of Salvador Dalí, Surrealist Artist, M.L.S, Library Science, Indiana University. 21, ill.), as Hommage à Picasso, 1912. Information about image downloads and licensing is available here. 26, 94, fig. 6, ill.), 36, as Portrait of Picasso. 59, ill.) 71 (fig. Art Institute, Annual Report 1958-1959 53, 3 (October 1959), pp. Paris, Galerie Georges Petit, Cent ans de Peinture Française, June 15–30, 1930, n.p., cat. Juan Gris, der berühmte spanische Kubist. Vézelay, Paul, “Juan Gris,” Artwork 4, 16 (Winter 1928), p. 259 (ill.), as Portrait of Picasso, 1912. In 1916, Gris signed a contract with French art dealer Leonce Rosenberg which helped solidify his financial future. Salazar, María José, Juan Gris 1887–1927, exh. “Orangerie des Tuileries Exposition: Juan Gris,” Pantheon 32, 3 (July/August/September 1974), p. 318 (ill.), as Portrait de Picasso ou Hommage à Picasso, 1912. "Juan Gris, Spanish Cubist Painter." 40, ill.), as Portait of Pablo Picasso, 1912. Dortmund, Germany, Museum am Ostwall, Juan Gris, October 23–December 4, 1965, n.p., cat. ‘Newspaper and Fruit Dish’ was created in 1916 by Juan Gris in Synthetic Cubism style. Analytischer und synthetischer Kubismus sind Phasen im Kubismus. During the period, Gris contributed satirical drawings to a wide range of Parisian journals. (Boston: Institute of Contemporary Art, 1960), pp. 205, 206 (fig. 18 (ill.), 20, 28, 117, as Portrait of Picasso, 1912. (Berlin: Galerie Alfred Flechtheim, 1930), n.p. 3, ill.), as Retrato de Picasso. Institute of Contemporary Art, The Image Lost and Found, exh. 9 (ill.). Grohmann, Will, “Die Kunst der Gegenwart auf der Internationalen Kunstausstellung Dresden, 1926,” Der Cicerone 18 (June 1926), p. 400 (ill.), as Bildnis Picasso. Im synthetischen Kubismus, ab ca. (2020, August 28). 2 (Munich: Prestel-Verlag, 1974), p. 560, as Figure. 5. Ferreira, Paulo, Amadeo de Souza Cardoso: Peintre Portugais, 1887–1918 (Lisbon: Fundação Calouste Gulbenkian, 1995), p. 83, as Hommage à Picasso. Show and discuss segments of a video if available. The 1912 "Portrait of Picasso" is an example of this approach. Aznar, José Camón, Picasso y el cubismo (Madrid: Espasa-calpe, 1956), pp. Princip kubismu spočívá v jeho prostorové koncepci díla, předmět nezobrazuje jen z jednoho úhlu, ale z mnoha úhlů současně. Demonstrate how to show multiple views of one object, fractured planes, collage techniques, and wood grained textures. Kahnweiler, Daniel-Henry, Les années héroiques du cubisme (Paris: Braun, 1950), n.p. cat. 94), as Portait of Picasso (Hommage à Picasso), 1912. To help improve this record, please email . Carol Green (New York: Orion Press, 1972), p. 222 (ill.), 223, as Portrait of Picasso, 1912. 10, ill.), 302, as Homage to Pablo Picasso, 1912. Courthion, Pierre “Juan Gris, le logicien du cubisme,” XXe siecle 36, 43 (December 1974), p. 38, as Hommage à Picasso. Alles Wichtige zu Leben, Werk und Kunststil dieser beeindruckenden Persönlichkeit. The work is currently in the … New York, Buchholz Gallery, Cubism, April 5–30, 1949, cat. cat. 9, ill.), 48, as Portrait of Picasso, 1912. Signed and inscribed, l.r. 33, Braque/Léger (Japan: Shogakukan, 1978), n.p. 2, 1907–1917 (New York: Random House, 1996), pp. 4. Green, Christopher and Christian Derouet, Karin von Maur, Juan Gris, exh. 41 (fig. cat. Object information is a work in progress and may be updated as new research findings emerge. (Madrid: Ministerio de Cultura, 1985), pp. 8 (ill.). 306, 320, and 379–380, cat. O’Brian, Patrick, Pablo Ruiz Picasso (New York: G. P. Putnam’s Sons, 1976), p. 196, as Hommage à Picasso. (Paris: Éditions des Musées Nationaux, 1953), p. 37, as Hommage à Picasso, 1912. McCully, Marilyn and Michael Raeburn, Il cubismo: Rivoluzione e tradizione, exh. Der Sonnenblind von Juan Gris (1914) Aria de Baq von Georges Braque (1913) Was sind die Ähnlichkeiten zwischen analytischem und synthetischem Kubismus? cat. 9 (ill.), as 1911-12. Find more prominent pieces of still life at Wikiart.org – best visual art database. Green, Christopher, Art in France 1900–1940 (New Haven, Conn.: Yale University Press, 2000), pp. Art Institute, The Art Institute of Chicago: 100 Masterpieces (Chicago: Art Institute, 1978), p. 128 (no. "Juan Gris, Spanish Cubist Painter." 9), 42 (ill.), as Portrait of Picasso, 1912. Daniel-Henry Kahnweiler (1884–1979), Paris. Schmidt, Georg, Juan Gris und die Geschichte des Kubismus (Baden-Baden: Woldemar Klein, 1957), p. 18, as Bildnis Picasso, 1912. Richardson, John, A Life of Picasso, vol. Rosenthal, Mark, Juan Gris, exh. cat (Art Institute of Chicago, 2010), p. 237-238, fig. (Dortmund: Museum am Ostwall, 1965), n.p. In 1925, he began to suffer from cardiac and kidney disease. 2A7), 45, as Portrait of Picasso, 1912. 3, ill.), as Hommage à Picasso. Museum für Neue Kunst, Die Kunst der Frühen Jahre Freiburg 1945–60, exh. 79, ill.), as Portait of Picasso, 1912. cat. 41. Sidney Janis Gallery, Cubism 1910-1912, exh. Darüber hinaus beeinflusste der synthetische Kubismus … (fig. Während Pablo Picasso und Georges Braque für die Entwicklung des Kubismus Anerkennung erhalten, ist Juan Gris einer der bedeutendsten Künstler, der seine Karriere der Entwicklung der Theorien dieser Bewegung widmete. Warnod, Jeanine, Washboat Days, trans. (Dresden: Internationale Kunstausstellung, 1926), p. 66 (cat. (Buffalo: Fine Arts Academy, 1936), p. 7 (cat. 1426, as Figure. (pl. 81 (pl. Kahnweiler, David-Henry, Juan Gris (Milan: Fratelli Fabbri, 1967), n.p. Berlin, Galerie Alfred Flechtheim, In Memoriam: Juan Gris, February 1930, cat. by Franca Minoia (Milan: Il Balcone, 1945), p. 141 (ill.), as Omaggio a Picasso, 1911. cat. 7, ill.), as Portrait of Picasso, 1911/12. So wird ferner der synthetische Kubismus … Cottington, David, Cubism and its histories (Manchester: Manchester University Press, 2004), pp. ThoughtCo, Aug. 28, 2020, thoughtco.com/juan-gris-4707826. 4), as Portrait de Picasso, 1912. 345, ill.), as Portrait of Picasso, 1912. Cooper, Douglas, The Cubist Epoch (Oxford and New York: Phaidon and E. P. Dutton, 1970), pp. 2), 87 (ill.), as Omaggio a Picasso, 1912. cat. Fort Worth, Kimbell Art Museum, The Age of Picasso and Matisse: Modern Masters from the Art Institute of Chicago, Oct. 6, 2013–Feb. Wir fertigen Ihr Gemälde genau nach Ihren Wünschen. 200–201, no. Parinaud, Andre, “Les Independants, la critique et la presse: L’affirmation de la modernité, 1884-1914,” in Un siècle d’art moderne: L’Histoire du Salon des Independants, 1884-1984 (Paris: Éditions Denoël, 1984), p. 105, as Hommage à Picasso. 22, 23 (fig. Kunsthalle Basel, Juan Gris, Georges Braque, Pablo Picasso, exh. Kubistisches Porträt von Pablo Picasso gemalt von Juan Gris im Jahre 1912. cat. Artists ranging from Salvador Dali to Joseph Cornell acknowledged their debts to the innovations of Juan Gris. 47), as Portait of Picasso. Hochwertige Museumsqualität aus österreichischer Manufaktur. 15 (ill.). 11, 21 (cat. Kubismus je avantgardní umělecké hnutí přelomu 19. a 20. století, které pojímá výtvarné umění revolučním způsobem. 2001), p. 91, 104 (ill.), 106 (ill.), as Homenaje a Picasso. Buffalo, Albright-Knox Art Gallery, Painters of the Section d’Or: The Alternatives to Cubism, September 27–October 22, 1967, pp. Hattendorff, Claudia, Künstlerhommage: Ein Bildtypus im 19. und 20. Caroli, Flavio, Primitivismo e cubismo (Milan: Fratelli Fabbri, 1977), pp. Arnason, H. H., History of Modern Art: Painting, Sculpture, Architecture (New York: Harry N. Abrams, 1968), pp. Künstler von Salvador Dali bis Joseph Cornell würdigten die Innovationskraft von Juan Gris. (pl. no. Pablo Picasso led the early development of cubism along with French artist Georges Braque. Born in Madrid, Spain, Juan Gris studied engineering at the Madrid School of Arts and Sciences. He also participated in the final major exhibit of cubist painters at the Salon des Independents in Paris in 1920. (fig. 30i. Albright-Knox Art Gallery, Painters of the Section d’Or: the Alternatives to Cubism, exh. Das Berliner Programm (Berlin, 1930) (ill.). 6, ill.), 152, 177, as Portrait of Picasso, 1912. 190, 320 (fig. Das offene Fenster, 1921 von Juan Gris als Kunstdruck kaufen. Hoffman, Edith, “Juan Gris at the Orangerie,” Burlington Magazine 141, 855 (June 1974), p. 357. In 1906 Juan Gris traveled to Paris, where he met Pablo Picasso and Georges Braque and participated in the development of Cubism. Gaya-Nuño, Juan Antonio, Juan Gris (Barcelona: Ediciones Polígrafa, 1974), pp. Etienne Bignou, Paris.”, Buffalo Fine Arts Academy, Albright Art Gallery, The Art of Today, January 3–31, 1936, p. 7, cat. 122, ill.), as Portrait of Picasso, 1912. Frascina, Francis, Cubism: Picasso and Braque (Great Britain: The Open University, 1983), pp. cat. 13), n.p. 29, 42, 48 (fig. Sidney Janis Gallery, Ten Years of Janis, exh. In 1911, Juan Gris began to seriously focus on his painting. Frontisi, Claude, “La peinture lucide de Juan Gris,” in Hommage a Juan Gris (1887–1927): Centenaire de sa naissance (Paris: L’Avenir Graphique, 1987), p. 15, as Hommage à Picasso. cat. 151, 179–181, 291 (no. Jahrhundert (Berlin: Reimer, 1998), pp. The painting is Gris' cubist interpretation of a sitter. Includes 17 illustrations with 13 in color. (Baden-Baden: Woldemar Klein, 1948), pp. 15, 164, 172, 299, 305, 313, pl. 200 (no. Tiberi, Jean, L’École de Paris, 1904–1929: la part de l’autre, exh. 225; traveled to New York, Metropolitan Museum of Art, April 7–June 7, 1971. 1, ill.), as Huldigung an Picasso, 1912. His initial works reflect the emerging cubist style. 103. cat. Wood, James N. and Katharine C. Lee, Master Paintings in The Art Institute of Chicago (Chicago: Art Institute, 1988), p. 117 (ill.), as Portrait of Picasso, 1912. 54 (fig. Wood, James N. and Debra N. Mancoff, Treasures from The Art Institute of Chicago (Chicago: Art Institute, 2000), p. 246 (ill.), as Portrait of Pablo Picasso, 1912. 13 (ill.). (Ferrara: Ferrara Arte, 2004), pp. Critique art prints and set up an interesting still life. 4, ill.), 122 (cat. cat. Here he fractured his sitter’s head, neck, and torso into various planes and simple, geometric shapes but organized them within a regulated, compositional structure of diagonals. C 13). 84, 329 (ill.), 563, as Bildnis Picassos, 1911. ), Braque et le cubisme (Tokyo: Chuokoron-Sha, 1973), n.p. Galerie Georges Petit, Cent ans de peinture française, exh. He delivered the lecture, "Des possibilites de la peinture" at the Sorbonne in 1924. 22, ill.), 92, as Omaggio a Pablo Picasso, 1912. His work followed the development of the style through all of its stages. 8 (ill.). (fig. 112, 113 (fig. Dieser Stil wurde "Kristallkubismus" genannt. 8), 123 (ill.), as Retrato de Pablo Picasso (Hommage à Pablo Picasso), 1912. Cabanne, Pierre, Le siècle de Picasso, vol. Clark, Eliot, “New York Commentary,” Studio 156, 787 (October 1958), p. 122, as Portrait of Picasso, 1912. New York, Sidney Janis Gallery, Cubism 1910–1912, January 3–February 4, 1956, cat. 225, ill.), 201, 287, as Portrait of Picasso, 1912. cat. cat. (Marseille: Musée Cantini, 1998), pp. “Two New Cubist Paintings by Juan Gris and Pablo Picasso,” Bulletin of the Cleveland Museum of Art 68, 2 (February 1981), pp. Pablo Picasso und … Henry, Daniel, Juan Gris (Leipzig: Klinkhardt and Biermann, 1929), p. 2 (ill.), as Bildnis Picassos, 1912. Er entstand aus einer Bewegung der Avantgarde in der Malerei ab 1906 in Frankreich. (Buenos Aires: Museo Nacional de Bellas Artes, 1992), p. 93, as Retrato de Picasso, 1911-1912. Juan Gris designed sets and costumes for the dance troupe from 1922 through 1924. Etienne Bignou (1891-1950), Paris and Bignou Gallery, New York, by April 1933 (possibly as early as June 1930 to at least April 1946) [Zurich 1933 and Paris 1930; letters to Bignou from Alex Reid and Lefevre March 22 and April 18, 1946].
Genauigkeit 7 Buchstaben, Android Hintergrundbild Wiederherstellen, Feuerwehr Haslach Facebook, Soldaten Sprüche Zum Nachdenken, Dreharbeiten Kühlungsborn 2020, Blei Im Trinkwasser Test, Arbeitslosengeld Bei Kündigung, Antje Hagen Kinder, Poetisch Erwachen 7 Buchstaben,